CARRIERS by Kodanda Rao Teppala
November 26, 2025 to December 31, 2025
Gallery Sumukha 24/10, BTS Depot Road, Wilson Garden, Bengaluru-560 027, India M: +91 93804 20041 E: info@sumukha.com

Regulations (Daily Laws) Regulations (Daily Laws)KODANDA RAO TEPPALA
Late 19th century (Caucasian), 5’6” x 8’6”, Code - 1707

The Celebration Of Being – 2KODANDA RAO TEPPALA
Late 19th century (Persian), Rug 3’9” x 4’10”, Code - 1125

Circle Of LifeKODANDA RAO TEPPALA
Gabbeh, Early 20th century (Persian), 3’9” x 6’2”, Code - 1091

The Garden Of Earthly Delight -2(Mother)KODANDA RAO TEPPALA
Gabbeh, Mid 20th century (Persian), 4’ x 5’10”, Code - 1085

Joy of Being -12KODANDA RAO TEPPALA
Late 19th century (Anatolian), 3’8” x 6’10”, Code - 1048

Gray Waters - vaaranasiKODANDA RAO TEPPALA
Late 19th century (Caucasian), 3’5” x 8’, Code - 0836

Carrier - 2( The Idea of God)KODANDA RAO TEPPALA
Late 19th century (Persian), 4’4” x 5’7”, Code - 0795

Petals of Blood (Un World)KODANDA RAO TEPPALA
Late 19th century (Caucasian), 4’2” x 7’7”, Code - 0779

Carriers (The Idea of God)KODANDA RAO TEPPALA
Acrylic and archival ink on Elephant dung paper
2025

CarrierKODANDA RAO TEPPALA
Acrylic and archival ink on Elephant dung paper
2025

Seeds of Hope (Mother)KODANDA RAO TEPPALA
Archival print on Hahnemuhle photo rag bright white 310 gsm paper
2025

Rest (Vaaranaasi)KODANDA RAO TEPPALA
Archival print on Hahnemuhle photo rag bright white 310 gsm paper
2025

Flighting LightKODANDA RAO TEPPALA
Mild steel, fiberglass, marine plywood, paint, polyurethane coat
2025

Un World (Region of conflict)KODANDA RAO TEPPALA
Mild steel, fiberglass, marine plywood, paint, polyurethane coat
2025

Water WaysKODANDA RAO TEPPALA
Pen and ink on paper
2023

The Celebration Of BeingKODANDA RAO TEPPALA
Mixed media on paper
2024

Joy of Being - 13KODANDA RAO TEPPALA
Acrylic on canvas
2025

Holy WatersKODANDA RAO TEPPALA
Acrylic on canvas
2025
Kodanda Rao Teppala’s paintings are instantly inviting with their vivid, playful colours. This welcome is intentional, but it also sets up a gentle trap. It is once you are inside that the questions become harder.
Rao often paints gatherings such as beaches, festivals and everyday rituals. At first, these scenes seem joyful. Look longer, and they begin to feel like brief escapes from something heavier. Rao sees these moments of pleasure as temporary relief from something darker: systems that rely on the same people they keep unseen. The works in this show extend his long interest in how ordinary life is marked by extraordinary forms of violence. Movement, ritual and migration become sites where these marks surface. The artist’s earlier works were more direct. These recent paintings are more reflective. After the pandemic, he moved to acrylic, a medium that allows him to shift quickly between thinking and making. The ideas, though, have grown deeper, shaped by his readings of Krishnamurti, the Buddha and Ramana Maharshi. The canvases carry this questioning spirit.
His figures remain small, a habit from his printmaking background. They become carriers of belief, fear and the inherited habits that stay with us, often without our noticing. Even the titles seem simple, yet they deserve a second look. Like everything else, they offer a small misdirection before revealing themselves. This show presents Rao’s view of the human condition as it feels today: colourful, chaotic, exhausted, searching for meaning and perpetually on the verge of being swept out to sea.
Amshula Prakash