The Drawing Show- Part I

January 08, 2021 to January 24, 2021

Gallery Sumukha

Magical stories for my City II

Magical stories for my City IIA Naveen Kumar

Teak-wood ink, watercolor and graphite on Acid free rice paper pasted on wood. (Used archival glue to past)

2021

Magical stories for my City I

Magical stories for my City IA Naveen Kumar

Teak-wood ink, watercolor and graphite on Acid free rice paper pasted on wood. (Used archival glue to past)

2021

I couldn't write poetry, so I decided to be a poem II

I couldn't write poetry, so I decided to be a poem IIA Naveen Kumar

Teak-wood ink, watercolor and graphite on Acid free rice paper pasted on plate. (Used archival glue to past)

2020

I couldn't write poetry, so decided to be a poem

I couldn't write poetry, so decided to be a poemA Naveen Kumar

Teak-wood ink, watercolor and graphite on Acid free rice paper pasted on plate. (Used archival glue to past)

2020

Mad Hatter

Mad HatterAishwaryan K

Acrylic & Graphite on Linen

2021

'Guess, he loved me not...'

'Guess, he loved me not...'Aishwaryan K

Archival ink on elephant dung paper

2018

'Guess, he loved me...'

'Guess, he loved me...'Aishwaryan K

Gouache & metallic ink on elephant dung paper

2018

The Crowded

The CrowdedBhaskar Vadla

Drawing on paper

2020

Past to Present

Past to PresentBhaskar Vadla

Drawing on paper

2020

A confused animal

A confused animalBhaskar Vadla

Drawing on paper

2020

A very thirsty animal

A very thirsty animalBhaskar Vadla

Drawing on paper

2020

Contemplating with dead tree - V

Contemplating with dead tree - VDimple B Shah

Graphite on paper

2020

Contemplating with dead tree - IV

Contemplating with dead tree - IVDimple B Shah

Graphite on paper

2020

Contemplating with dead tree - III

Contemplating with dead tree - IIIDimple B Shah

Graphite on paper

2020

Contemplating with dead tree - II

Contemplating with dead tree - IIDimple B Shah

Graphite on paper

2020

Contemplating with dead tree - I

Contemplating with dead tree - IDimple B Shah

Graphite on paper

2020

Conversation

ConversationLokesh B. H.

Archival ink on Fabriano paper

13.8" x 10.6"

Conversation

ConversationLokesh B. H.

Archival ink on Fabriano paper

2020

Conversation

ConversationLokesh B. H.

Archival ink on Fabriano paper

2020

Conversation

ConversationLokesh B. H.

Archival ink on Fabriano paper

2020

Conversation

ConversationLokesh B. H.

Archival ink on Fabriano paper 13.8 x 10.6 inches 2020

2020

Conflict Series - III

Conflict Series - IIIRahul Chauhan

Red carbon tracing on paper treated with tea

2020

Conflict Series - II

Conflict Series - IIRahul Chauhan

Red carbon tracing on paper treated with tea

2020

Conflict Series - I

Conflict Series - IDimple B Shah

Red carbon tracing on paper treated with tea

2020

Constantly Moving - VII

Constantly Moving - VIISonal Varshneya

Pencil on archival paper

2020

Constantly Moving - VI

Constantly Moving - VISonal Varshneya

Pencil on archival paper

2020

Constantly Moving - IV

Constantly Moving - IVSonal Varshneya

Pencil on archival paper

2020

Constantly Moving - V

Constantly Moving - VSonal Varshneya

Pencil on archival paper

2020

Constantly Moving - III

Constantly Moving - IIISonal Varshneya

Pencil on archival paper

2020

Constantly Moving - I

Constantly Moving - ISonal Varshneya

Pencil on archival paper

2020

Constantly Moving - II

Constantly Moving - IISonal Varshneya

Pencil on archival paper

2020

Krishna with village girls

Krishna with village girlsSumanto Chowdhury

Colour pencil on paper board

2020

Radha with animals

Radha with animalsSumanto Chowdhury

Colour pencil on paper board

2020

Untitled

UntitledSumanto Chowdhury

Colour pencil on paper board

2020

Untitled

UntitledSumanto Chowdhury

Mixed media on paper board

2020

Manifest 28

Manifest 28Urmila V G

Charcoal and Graphite on Toned paper

2020

Manifest 27

Manifest 27Urmila V G

Charcoal and Graphite on Toned paper

2020

Manifest 25

Manifest 25Urmila V G

Charcoal and Graphite on Toned paper

2020

Manifest 23

Manifest 23Urmila V G

Charcoal and Graphite on Toned paper

2020

Redefined Periphery – 6

Redefined Periphery – 6Venugopal V G

Watercolour, Graphite & Hand-cut paper

2020

Redefined Periphery – 5

Redefined Periphery – 5Venugopal V G

Watercolour, Graphite & Hand-cut paper

2020

Redefined Periphery – 4

Redefined Periphery – 4Venugopal V G

Watercolour, Graphite & Hand-cut paper

2020

Redefined Periphery – 3

Redefined Periphery – 3Venugopal V G

Watercolour, Graphite & Hand-cut paper

2020

Refined Periphery – 1

Refined Periphery – 1Venugopal V G

Watercolour, Graphite & Hand-cut paper

2020

Redefined Periphery – 2

Redefined Periphery – 2Venugopal V G

Watercolour, Graphite & Hand-cut paper

2020

The “The Drawing Show” is the first of the two-part series of an exhibition organized by Gallery Sumukha. The exhibition features the work of eleven artists who have established their trajectory in the field of art through their styles and traits. The artists are brought together under the theme of drawing, which forms a common language adopted by each one of them. The show intends to explore various drawing styles used by artists and the elusive thoughts brought to life through them. It also aims to establish how a variety of ideas can be expressed powerfully through the humble language of drawing. In this exhibition, we see artists working on themes like personal narratives, critique on societal norms or their drawings documenting the changing landscapes, and so on.

Drawing is seen as a basic form of any art-making process. But, time and again, for artists, drawing has stood as an independent and parallel medium of expression to painting, sculpture, printmaking etc. It is characterized by the quality of the line that becomes a major factor in contributing to the overall feel of the work in the end. The simplicity of line, minimal colours, the graphical quality created by use of black and white, the play of opposites like the curvy organic line against the rigid, angular inorganic line, textures, etc are some of the categories of line and how they are responsible in evoking different moods.

Text by Sandhya Annaiah